New Book Review 36: Demorn: Soul Fighter

demorn 3 The next indie book review I’m doing is for David Finn’s sci-fi fantasy space opera all-around actionfest, Demorn: Soul Fighter. This is the third book of the Demorn series, and I reviewed the first and second of them last year. Those reviews can be found here and here.

As a quick refresher on the premise, Demorn, the Wandering Princess of Swords, is a witty (and sometimes nihilistic) young woman who has time-travelled, space-travelled, and dimension-travelled throughout a multiverse that’s crumbling under the weight of imminent cosmic calamity. She is an extraordinary fighter, making use of guns, fists, a supernatural flaming katana, and a variety of magical objects gifted to her by gods and other entities in her wide and varied travels. She has been a priestess, arena fighter, and presently a mercenary. She also really loves comic books, and is good friends with Frank Sinatra, who happens to be a leader in a resistance against cosmic baddies.

Each of the Demorn books has had a common difficulty. In their freneticism and dimension-jumping and panache, they are confusing as hell. They’re all packed with action which is so well-written and so detailed that it’s a beauty to read, but keeping track of the plot is always challenging. In Soul Fighter, a catastrophe called the Fracture Event has torn apart the multiverse, erasing past timelines and sending beings from one dimension into another, wreaking all kinds of havoc. Members of a cultish organization called the Triton Corporation initiated the Fracture Event for diabolical purposes involving wicked cosmic gods (fans of H.P. Lovecraft will recognize the concept). Demorn starts in a Las Vegas-like metropolis called Bay City, where she competes in Soul Fight tournaments. Each fighter carries several mystical skulls which contain a soul, enabling them to fight and die multiple times. The loser of a fight has their soul-skulls taken away by a Death Banker, shadowing persons with their own motives and allegiances. From this setting, Demorn turns from gladiator to assassin to hunt down one Death Banker who means to release a cross-dimensional plague on the city. This sets her on a path to encounter an old friend and sometimes enemy, Iverson, an operative and detective-like character with whom she embarks on a quest to find the Reset Pyramid, which will enable them to reset time and avert the Fracture Event. Along the way they encounter former friends and rivals and lovers (Demorn, I nearly forgot to mention, is a lesbian), including Demorn’s brother Smile, her former co-priestess Toxis, her former lover Winter, the powerful warriors Wolf and Wrecking Ball, and the white-collar foes within the Triton Corporation. This book also has a brief appendix to help keep track of all the characters, factions, and magical items in the series.

I can’t stress enough that despite how confusing these books are, I love them. Each of them has been an incredibly fun read, and I’d highly recommend them for fans of sci-fi and fantasy. Reflecting on the way the stories work, I see a lot of influence from comic books especially. With the variety of worlds and scenarios and the vivid descriptions, I’ve wondered if the books might be enriched if they were in fact graphic novels instead of prose novels. If the author ever does make a graphic novel of the series, I would be excited to read it, and I certainly look forward to the release of the fourth book in the series, titled Demorn: Ultimate Fate.

Now, once again, my bit of promo. If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

New Book Review 31: Rise of the Europan

europan The next book I’m reviewing is Rise of the Europan, a collaborative science fiction work led by Joel Stottlemire. The book’s central premise is that in a future where humans have established colonies on other worlds in the solar system and elsewhere in the galaxy, settlers on Europa, the ice moon of Jupiter, have awakened a god-like entity (Genabyel) who begins a campaign of destruction against humanity. The book contains interrelated stories by six different authors chronicling the events of this war, on different worlds and from the perspectives of different people and from Genabyel himself.

Using multiple authors to tell various parts of one story is an ambitious project, and I laud these authors for taking it on. The project brings to mind the Star Wars expanded universe novels (the Thrawn trilogy, the New Jedi Order series, etc.) which I consumed and loved as a teenager. It gives a sense of size and scale to the narrative, even when the characters of the different stories don’t interact with one another. The continuity and connectivity of it, the fact that in spite of the distance between stories it maintains cohesion, is admirable.

Of course, the fact that the stories uses different viewpoints in different locations means that the novel-length book does not follow a consistent set of characters, but instead several characters with short character arcs. The only character who appears in each of the stories is Genabyel himself, about whose personality and attributes we learn more and more as the book progresses. Genabyel has some Lovecraftian attributes about him. He comes from a home deep beneath a strange ocean, he claims to have travelled through other dimensions and made contact with various divine beings, and he looks on humans in the same way that a human might look on cockroaches: troublesome creatures to be crushed. He thinks of destroying humans as a divine mission, and uses language reminiscent of the Bible in his musings about them. I liked Genabyel as a character; at first I thought he might be just a Cthulhu knock-off, but as the story progressed I appreciated how well-developed he was. The human characters that appeared throughout the stories were, as far as I recall, adequately developed as well. There are soldiers, politicians, scientists, and generally diverse cast all reacting to the crisis of the Europan in various ways, some heroic and some cowardly. We don’t get to spend a lot of time with these characters, but the time we get is enjoyable.

The war against the Europan, however, is completely hopeless. He is undefeatable, and this kid of has the effect of making the genre here seem a variant of apocalyptic fiction. It’s about the human characters reacting to the end of their world, that is to say the end of their world-spanning human civilization. The sequences of destruction, happening in their various ways and various places, are very detailed, and generally I liked the way the book was written. There was one significant problem, a surprising one given the otherwise high quality of the book. There were tons of typos, tons of misused apostrophes and spelling errors and use of incorrect words. The problem was throughout the book, not just in the stories of one or two of the authors. A bit more proofreading would have easily solved the problem.

Now, once again, my bit of promo. If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

New Book Review 29: SciFan Magazine January 2017

scifan The next book review I’m doing is a little different than the previous ones. I’m reviewing the January 2017 edition of SciFan Magazine, a monthly digital magazine designed to showcase current and upcoming independent authors. The editor is Richard M. Mulder, whose work I hope to review at a later date. There were thirteen stories/excerpts in the magazine, and I will address each of them here.

The first, ‘Octov’s Rise to Ainoren’ by Dawn Chapman, is an excerpt from the novel The Secret King: Lethao, which I reviewed on this blog here. Chapman’s work is excellently written, with strong detail and description and otherworldly characters who are familiar enough for the reader to empathize, yet whose otherworldly attributes and powers create a sense of wonder while reading. This particular excerpt is full of action and intrigue, and I liked it.

The second, ‘Séance on Death Row’ by Douglas Kolacki, is a short horror story in which a group of people, including a murderer, hold a séance to speak with the murderer’s victim. It was an older style of horror, relying heavily on implication and imagination, with dread permeating the story and with the horror stemming from forces beyond the grave which may be seen but not fully understood. It reminded me of Edgar Alan Poe’s work. I liked it.

The third, ‘The Tot of Wonder’ by John Taloni, is a much more lighthearted and goofy tale of a superhero father who lives with his non-super wife and his super-powered toddler son. There’s not a whole lot to it, but I think it’s geared more toward a young audience. It felt a little out of place in this magazine, but as a work for children I suppose it’s fine.

The fourth, ‘Miss Soames’ by Kyle Hemmings, was an odd one. I can’t say much about it without completely spoiling the story, but I didn’t like it very much. The prose was okay, but the plot was kind of nonsensical, a sort of bait-and-switch horror story that was so busy trying to surprise the reader that it forgot to be scary.

The fifth, ‘Orlok’s Song’ by David Castlewitz, was my favorite in the magazine. In this short story, there is a sentient species called the Peet (animal-like beings) who have been driven from their forest homes by human enterprise. Orlok is the father of a family that tries to survive in the new concrete forest of city slums. The writing in it was beautiful, and the story was brief but excellent in its narrative and conclusion. I’d definitely recommend this one.

The sixth, ‘Voices Beneath the Ice’ by Matthew McKiernan, is a sci-fi story with horror elements involving a trio of astronauts who land on Europa (a moon of Jupiter) and begin to find strange reasons to hate each other. I liked the concept a lot, but some of the prose needed work. I think this story has a lot of potential, and could be really great if some more time was given to it.

The seventh in the magazine is an excerpt from the book Secret of the Old Ones by Blaise Corvin. Its genre is given as LitRPG Sci-Fan™, in which the real world and the world of gaming are both important to the narrative. The only issue I have with the excerpt is that the character never seemed to really be in danger, but since it’s just an excerpt of a larger work, I’m sure there will be more conflict and excitement later in the story. I really liked this excerpt, and I’ll probably read the book at some point.

The eight is also an excerpt, titled ‘The Stirring’ by Jaren Fleming. It was something like Christian creationist science fiction, about a planet that serves God (here called The Father) at war with gooey alien beings that serve Satan. The whole excerpt was nothing but combat, and the writing was good, but I hope there is character development and more fleshing-out of the story in the larger work. I wasn’t a huge fan of the premise, but I can imagine other people liking it quite a lot.

The ninth was ‘Stormguard: The Invisible War’ by Tom Fallwell. It was another case of Christian-themed action sci-fi. I can’t say much about it without spoiling the whole story, but it starts with a man waking up in a crater with no memory of who he is or where he came from. The writing was okay, but I thought the premise was kind of a cliché. This was an excerpt of a larger work as well, but I probably won’t seek out the larger work.

The tenth, ‘Spacejacking’ by Russell Hemmell, seems like it may be an excerpt from a larger work, but it was unclear to me. It’s a futuristic tale of an alien abduction during space exploration, and the subsequent consequences. Again, I can’t say a lot without giving away the entire story, but I liked this one. It had some interesting and unusual ideas in it, and if it is part of a larger work I’d like to see where the story goes.

The eleventh story, ‘The Brat and the Other Country’ by David Perlmutter, was a real oddball. The premise was similar to the film ‘Who Framed Roger Rabbit?’, if that film was a story about superheroes rather than a detective story. In the story, the cartoon characters of Earth actually live on another planet, and the main character is a superhero human who works alongside superhero cartoon characters. I can imagine other people really loving the premise, but it was just a bit too much of a stretch for me.

The twelfth story, ‘In the Hot Mists’ by John A. Frochio, is a steampunk tale about an airship race in which one airship has an unfair advantage because it’s crewed by extraterrestrials. Strange as this premise is, I liked it. The writing was good, it put a new spin on a familiar story, and I think lots of other people would enjoy the story too.

The last story (good job for sticking with me this long!) is ‘The Keystone Islands: Portals of the Grave’ by Lander Allen. It’s the first three chapters of a larger work, a soft sci-fi work set in a universe where Earth is a cultural center resented by the other planets. The tetrapath infection turning its victims into horrific monsters, and the protagonists have come from who-knows-where and are trying to figure out their past in the midst of this plague. It’s well-written and very intriguing, and I’d like to see where the story goes.

So, those are the thirteen stories from the January 2017 edition. I expect to review later editions of the magazine in this blog as well, as it seems like a great way to see at a glance what’s going on in the indie fantasy and sci-fi community.

Now, once again, my bit of promo. If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

New Book Review 27: Atomic Underworld: Part Two

atomic-underworld-2-cover The twenty-seventh book I’m reviewing here is Atomic Underworld: Volume Two, by Jack Conner. This book is the sequel to one I reviewed a few months ago, Atomic Underworld: Part One. That review may be read here. Within the same world this author also has the Atomic Sea series and the books Nightmare City and City of Shadows.

A quick recap of the setting: the story takes place in and around the subterranean city of Muscud, which sits over the highly toxic Atomic Sea. In this alternate world technology has developed in a steampunk-like direction, and humans share the city with various pre-human alien species and with humans afflicted by the mutating effects of the sea. Rival gangs hold the most power in the city, but power also belongs to the cultists who worship various otherworldly gods. In the last book, our hero Tavlin “Two-Bit” Metzler, a gambler and thief and all-around rogue, was captured by cultists and brought to the temple of their god, Magoth. This second part to the story begins with Tavlin’s captivity and brainwashing in their temple. Other characters working with and against Tavlin include his ex-wife Sofia, friend and brutal mob boss Vassas, rival mob boss and cultist Havictus, the cult leader known only as the Lady, and a ghostly woman of ambiguous allegiance named Millicent.

As noted in the review of the previous book, the strongest feature of these books (probably of all Conner’s work) is the detail. The stinking, toxic, moist underworld that he paints feels stinky and toxic and moist. The description is vivid and graphic, and I really appreciated that. The characters are in some ways a little cookie-cutter (Boss Vassas is every cigar-chomping mob boss ever, Tavlin is right out of the Han Solo/Jack Sparrow/Malcolm Reynolds school for likable outlaws, all of the gangsters are noir characters with superficial mutations), but they’re fun anyway. Now, as I said, I read the previous book a few months ago, so I generally remembered who the characters are, good guys and bad guys and whatnot, but I couldn’t really remember which slimy jiggly pre-human alien race was which, and the sequel didn’t really take any time to recap those details. The story goes straight forward where the last book ended, with no recaps at all. For this reason, I wonder why the two books are in separate volumes at all. I’m aware that the author also released an Omnibus Edition with both books included, but why not just have them together as one novel? I can guess, but I prefer not to be cynical and to instead hope that the reason was creative.

For anyone who wishes to read these stories, the genre needs to be well understood. These are pulpy action stories. They take some inspiration from the horror tales of H.P. Lovecraft, but they are not horror. The purpose of these stories is to entertain, and in that capacity they deliver. A small advisory warning: the book contains a lot of graphic violence, some references to rape, and one descriptive sex scene. Some more sensitive readers might be put off by these features, though I personally was not. I found both of these books fully entertaining, and I expect if I read other work by this author I will encounter the same. The conclusion especially, the climactic fight scene that resolved the story, was especially satisfying. Fans of action and crime stories, dark fantasy, and horror/pulp fiction are the recommended audience for these books. As a fan of science fiction and fantasy, I loved them.

Now, once again, my bit of promo. If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

This post was originally featured on cwbookclub.com.

New Book Review 23: Cthulhu Armageddon

cth The twenty-third book I’m reviewing on this blog is Cthulhu Armageddon by C.T. Phipps. It’s billed as a post-apocalyptic western, but I’d say calling it a western is a stretch. It’s a fantasy action thriller set in a desert wasteland, conceptually closer to a story like Mad Max than a story like The Good, the Bad, and the Ugly.

To really have context for this novel, you need at least a cursory knowledge of the works of H.P. Lovecraft, whose popular stories include The Call of Cthulhu, The Dunwich Horror, and my personal favorite The Case of Charles Dexter Ward. Lovecraft stories and mythos contain the idea that in the sea, underground, and in the far reaches of space are monstrous alien gods who will someday return to power and destroy humanity. Cthulhu Armageddon is a post-apocalyptic action novel based around the idea that in the future, Lovecraft’s gods and monsters (his specific gods and monsters, here with the same names and aspects that they have in Lovecraft’s works) have risen and wreaked havoc upon the earth. Their ravages have turned the world into a hellish place, where the surviving “civilized” humans fight for survival alongside rabid cultists, mutant monsters, and the terrible gods themselves.

Our protagonist, John Henry Booth, is one of the surviving humans in a group called the Remnant. He is a trained and tenacious soldier who struggles through shaky alliances and bitter enmities with monsters and humans in his quest for revenge against the mad wizard Doctor Alan Ward, a former scientist who believes the only way to survive with the gods is to become as monstrous as them. By his side throughout the story is his mutant friend Richard, cultist and former lover Katryn, his teammate Jessica, a professional torturer named Mercury, and a wide-eyed little girl named Jackie who’s seen entirely too much brutality for her age.

This isn’t the first brutish post-apocalyptic novel I’ve reviewed on this blog, but within that genre I think this is the best one. The premise may sound schlocky, a little too close to fan-fic perhaps (not that there’s anything wrong with that, but it does have a poor reputation), but the quality of the writing here is impressive. For the most part it’s smooth, well-paced, and strikingly professional. Especially excellent were the book’s action scenes, of which there were many. These were simply incredible. Some of the characters were a little clichéd, a little stereotyped post-apocalyptic warrior, but the central characters had a lot of depth and wisdom to them, much more than you would expect in an action adventure like this.

There are a few places in the book where a sentence was confusingly structured or where the wrong word was used (‘grizzly’ when the author meant ‘grisly’, for example), but these were rare and the book’s strength far outweigh this small weakness. It is also worth noting that while this book takes ideas and personages from Lovecraft, it is not meant to be modeled on Lovecraft’s work. In Lovecraft, the atmosphere is full of dread and existential horror, carried forward and permeating the narrative through the terror, disgust, or madness of the characters. The characters in Cthulhu Armageddon do have terror and disgust and madness, but they also have humor and love and jealousy and anger. They crack wise while they crack skulls, and frequently they spit in the face of death as opposed to cowering like a Lovecraft character would. This isn’t a horror novel. It’s an action adventure fantasy novel, and it’s a thoroughly enjoyable one.

For potential readers, it is worth noting that the book has profanity and sex and (if this post hasn’t already made it clear) lots and lots of pulpy violence, so it’s not recommended to sensitive readers. I got a lot of fun out of it, and can definitely recommend it to fans of action, sci-fi, and especially the weird tales of H.P. Lovecraft.

Now as always, my bit of promo. If you liked this book review, you can see my others here: New Book Review 1–New Book Review 2–New Book Review 3–New Book Review 4–New Book Review 5–New Book Review 6–New Book Review 7– New Book Review 8–New Book Review 9 –New Book Review 10–New Book Review 11–New Book Review 12–New Book Review 13–New Book Review 14–New Book Review 15–New Book Review 16–New Book Review 17—New Book Review 18–New Book Review 19–New Book Review 20–New Book Review 21 -New Book Review 22

If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

This post was originally featured on cwbookclub.com.

New Book Review 20: The Wounded World

the-wounded-world-cover The twentieth book I’m reviewing on this blog is The Wounded World, the first of the Sagittan Chronicles science fiction series by Ariele Sieling. To be clear, the work is soft sci-fi rather than hard sci-fi, which means its story relies on entirely fictitious science. Its purpose is to entertain, not to anticipate or warn about the future or consequences of science.

The book’s characters inhabit a highly advanced society which has two important technologies that set it apart from Earth. The first is the Doors (try to set the night on fire!), portals which allow people to cross any distance from a single city block to all the way across the universe. The other technology is planetary construction. These people actually build planets, and Earth was one of their projects. Fans of Douglas Adams’s books will find this idea quite familiar. These two technologies are crucial to the story’s plot. Our hero, a soldier and all-around tough guy named Quin Black, spends the story travelling through dozens of Doors in search of his father, Grise Black, who has nefarious plans involving unauthorized planetary construction. Quin is accompanied by his close friend John, who is a genius mathematician. The mathematics of planet construction and teleportation are never explained, but John spends a lot of time working with numbers that only make sense to him. The book has a fair amount of comedy, much of which centers on this off-kilter friendship between Quin (the muscle) and John (the brain).

The story is for the most part a manhunt, and it’s written quite well. The prose was good, the sentences were both descriptive and concise and I don’t remember seeing typos or formatting errors anywhere. It had an adventure aspect to it as well, which for the most part was done well. As a sci-fi novel, I was pleased with The Wounded World.

That being said, there were some aspects that I thought could have been developed much more. The book was good, but it could have been better. Grise Black, the antagonist, was underdeveloped. I didn’t understand very well how his motives connected with his goals or why his troubled relationship with Quin was the way it was. Besides that, the fact that this story’s setting is a society that actually created and monitors the planet Earth had so much untapped potential. For the first dozen pages of the book, I thought the setting was actually a futuristic Earth. When the setting is revealed, it’s in an offhand joke that John makes rather than in any kind of shocking grand reveal. These people, from a human standpoint, could be considered gods. Yet they have the same social ranks, the occupations, and even the same animals that are found on Earth. Having them more discernably alien, and having them bear some kind of burden over the conduct of Earth, could have been interesting to see. I’m imagining something like Theodore Sturgeon’s short story ‘The Microcosmic God’, or more contemporarily the Rick and Morty episode ‘The Ricks Must Be Crazy’. The Wounded World is the first of a series, so perhaps these themes are explored more in the other books.

The novel was clear of any sexual content or any strong graphic violence, so I’d say it’s appropriate for teens and young adults, though adultier adults may enjoy it as well. I’d recommend it for sci-fi fans and fans of adventure stories. Personally I enjoyed it, though I think it had some untapped potential.

If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

This post was originally featured on cwbookclub.com.

New Book Review 18: Cloud Country

cloud-country The eighteenth book I’ll review here is Cloud Country, the second part of the Special Sin series by Andy Futuro. I reviewed the first book, No Dogs in Philly, in a previous blog post that you can read here. The series is a mix of cyberpunk, noir, dark fantasy, and Lovecraftian horror and follows a detective named Saru, a woman who fights crime in a gritty alternative version of Philadelphia. Her world includes brain-implanted internet streams, feuding cults, stray zombie-like creatures called elzi, and most importantly the conflicts between rival alien gods who see humans in a way much like humans see microbial cells. The story starts with her in the center of the devastation wrought by the events of the previous book and takes her through a new series of dangers, exploits, and revelations.

The first book was really fast-paced, and in comparison this second one is pretty slow. It centers on Saru and a Gaesporan (a member of the hive-mind-ish social elite) named John, and a lot of pagetime is spent explaining mysteries that came up in the first book and explaining the rules of this world. In the first book the supernatural implications of the events were initially unknown and Saru uncovered them little by little. Here we receive long detailed explanations of how things are and why they are the way they are. It was a bit heavy on exposition because of this. John knows the answers to all of Saru’s questions, and he explains these answers in long stretches of dialogue. The moments of action were fewer and more spaced out than in the first, but this didn’t bother me. I expect that at least one more book in the series is forthcoming, and it will benefit from having the world laid out more clearly.

One of this work’s main strengths is Saru’s narrative voice. She’s an extreme character, but she is consistent in her extremeness and her voice and attitude fits her personality. Here we see her less as a fighter and detective and more as a lost and fugitive young woman, a facet of her personality which existed in the first book but took a backseat to her hard-boiled-detective shtick. We get to know her better here, we see more of her weaknesses and insecurities. This comes in a large part from her being removed from her comfort zone, that is to say the crime-ridden alt-reality Philadelphia. In this book she spends more time in differing places and trapped inside her own memories, which uproots her and sets her in a more abstract kind of world. Due to this, the crime aspect and the cyberpunk aspect of the first book are largely discarded.

At this time there isn’t a third book in the series, and I haven’t seen any announcements for one yet. Nonetheless, I expect that there will be a third, and I look forward to it. As I said before, I enjoy this series and I’d recommend it to others. Of course, it features mature themes and isn’t for children or especially sensitive readers. It’s horror, after all. If you pick up a book of horror fiction you know what you’re getting into.

If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

New Book Review 17: Demorn: City of Innocents

The seventeenth book I’m reviewing here is Demorn: City of Innocents, the second book of David Finn’s Asanti series. Back in June I read the first one, Demorn: Blade of Exile, and I reviewed it on the blog here. The first impressed me enough to continue to the second, and when the third in the series comes out later this year I intend to buy, read, and review it as well. The label I gave the first book seems true of the whole series, a cross-dimensional dark modern fantasy adventure. The first book was both manically entertaining and manically confusing, and this second book toned down the manic quality of the first to create a work that was a little slower-paced but much easier to follow.

To review, Demorn is a powerful fighter who’s been engaged in wild adventures across time and multiple versions of reality for several years. Her paths have crossed with various gods, monsters, aliens, cultists, historical figures (she was all buddy-buddy with Frank Sinatra for as long as that lasted), magical objects, and so forth. She’s seen the end of the universe and witnessed the destruction of her own homeworld, which makes her a bit of a nihilist. As a priestess of the Asanti religious order she is privy to a wide variety of spells and arcane information, and as the royal-blooded Princess of Swords she’s nearly impervious to physical harm. She’s also a huge fan of 1960s music, superhero comic books, and romantic trysts with other dimension-hopping women. Demorn spent a good chunk of the last book trapped in a dimension she calls The Graveyard, and in this book she is trying to put the pieces of her life together after escaping from The Graveyard. There are a wide variety of characters (though not nearly as many as in the first book), but most of the story centers on Demorn and a godlike man she calls the Tyrant, who is alternately her close confidant and her bitter enemy as she works to avert a semi-inevitable cross-dimensional cosmic apocalypse.

The vivid storytelling and highly texture detail of the first book, its strongest points, carried over into the second. Every punch and burn and shock is felt by the character and the reader. With the story slowed down and given a tighter focus, this book was much easier to understand than the first. The complexity of the universe Demorn inhabits was still a little over my head, but it felt less overwhelming than before. The important parts weren’t so hard to follow this time around. It also helped that Demorn didn’t spend nearly as much time jumping around between worlds in this book, so I had more time to get accustomed to her locations.

For its followability, I would say that I liked this one better than the first book and I have very little bad to say about it. There were a handful of typos in the last fifteen percent of the book, which was a little unusual considering that I didn’t spot any at all in the rest of the book, but that’s not so bad. As I said before, fans of fantasy, science fiction, sword-and-sorcery, and fast-paced action stories will most likely take pleasure from this book.

And now once again, the plug. If you liked this book review, you can see my others here: New Book Review 1–New Book Review 2–New Book Review 3–New Book Review 4–New Book Review 5–New Book Review 6–New Book Review 7– New Book Review 8–New Book Review 9 –New Book Review 10–New Book Review 11–New Book Review 12–New Book Review 13–New Book Review 14–New Book Review 15–New Book Review 16

If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

New Book Review 16: Atomic Underworld: Part One

The sixteenth book I’m reviewing is Atomic Underworld: Part One by Jack Conner, the first of the ‘Atomic Underworld’ duology, which itself is a prequel to Jack Conner’s ‘Atomic Sea’ series. The book is billed as Lovecraftian steampunk fantasy, which is to say that it takes inspiration from the otherworldly horror stories of H.P. Lovecraft and the speculative alternative history of steampunk sci-fi. In its execution I would also add ‘noir’ or ‘mystery’ to the genre. It’s a good mix, and the various pieces work well together.

The story’s protagonist is Tavlin ‘Two-Bit’ Metzler, a professional gambler and general rouge living in the subterranean city of Muscud, on the banks of the Atomic Sea. This city is one of several underground cities primarily inhabited by mutated humans, but also inhabited by ordinary uninfected humans, mutated animals, and members of various sentient pre-human species (some rather slug-like, some blob-like, and some arthropod-like). These cities are in the sewers of the larger metropolises above ground, and their primary authorities are multiple religious cults and various rival gangs. When Tavlin’s old friend and full-time mob boss Vassas has several members of his gang die under strange circumstances, Tavlin is asked to investigate. His investigations put him in the middle of a dangerous adventure centering on a strange weapon which the cults and sentient pre-humans are all desperate to get their hands (or tentacles) on.

The best thing about this book was its incredible level of description and texture. Muscud and the cities near it are disgusting places. They’re slimy, they stink, everything is damp and crawling and infected, and the descriptions are written with skin-crawling vividness. All of the mutant creatures, all of the alien-like underworld denizens, were described excellently. The quality of the writing was also very good, with few errors. I did feel like the characters drew heavily from crime-drama clichés, but that’s not so terrible. These kinds of characters are used because they’re effective. Maybe we’ve all seen movies with some fedora-wearing cigar-chomping pistol-waving mob boss shouting profanities before, but that doesn’t diminish the character’s entertainment value.

The book was heavy on action, with chases and gunfights familiar to anyone who’s read or watched any kind of mystery or crime dramas. The difference of course is that these fights are here taking place in a slimy underground city, which allows for some different approaches. The fights were well-written as well, however due to the way the story uses them, I would dispute the book’s Lovecraftian label. In a Lovecraft story, there is always a sort of creeping dread pervading the narrative. The characters in a Lovecraft story are victims of hellish otherworldly forces gradually driving them into unspeakable terror and insanity through the influence of eldritch alien gods. In Atomic Underworld, there are (or at least seem to be) eldritch alien gods , and there is dread, but the dread doesn’t pervade the narrative. The book doesn’t feel like a horror story. With a cocky rogue for a protagonist and with mobsters out of a 1940s noir film chasing each other through an urban jungle, the book feels more like action/adventure than it does horror. This isn’t a bad thing, but it is worth noting. It’s also worth noting that this book ends on a complete cliffhanger, which may annoy some readers.

On the whole, I enjoyed it. The detail was impressive and the story was engaging, and the odds are good that I’ll buy and read the second part of it.

If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.

New Book Review 9: Letháo: The Secret King

The ninth book I am reviewing is Letháo: The Secret King, an excellent science fiction novel by Dawn Chapman. It’s a space opera, within the same genre as books, films, and television shows like Star Trek, the Star Wars saga, Dune, and Battlestar Galactica. In some of the Amazon reviews for the book I saw claims that The Secret King follows a plot very similar to Battlestar Galactica. I’ve never seen the show so I couldn’t say. The Secret King was originally conceived as a thirteen-episode TV series (doing some research on it, I get the impression that a show might be coming in the future), and this comes across in the writing. Chapters feel episodic, so the book contains multiple small situations of conflict and resolution within the framework of a large conflict.

The overall story is this: the population of the planet Letháo must evacuate their world. These refugees are led by Kendro and his wife Mika, the king and queen of their world. The monarchs are supported by the captains of the ships and by Kendro’s trusted second-in-command or Ainoren, Octav. These people, a race called the Aonise, are mostly humanoid but have limited abilities involving telepathy and a physical mechanism called ‘croex’. This is a soul-like energy which can allow one Aonise to share strength or the burden of intense pain with other Aonise, among other functions. Some Aonise also have visions of the future. As the refugees seek a new safe haven, they are plagued by attacks from aliens called the Zefron, schemes and power plays from the captains, and human drama around relationships between crew members. Each of these conflicts influences the other conflicts and leads to shifts within the power dynamics of the ship. With the book’s primary focus on the personal interactions rather than the spectacle of the alien attacks, I can certainly see this book working as a character-driven TV series.

The writing was very good. At spots the sentences were rather choppy and there were spots where I noticed misplaced punctuation marks or sentence fragments, but none of it was enough to pull me out of the story. None of it was enough to cringe over. And I promise, I have read books with errors that made me cringe. I don’t like cringing while reading, especially not when the author didn’t mean for the reader to cringe. Not once did I cringe over Dawn Chapman’s work, instead I spent a lot of time genuinely marveling over the quality of the dialogue, setting, and pacing. If she is reading this, then I say to her, nicely done. Very nicely done.

For all its good qualities, there were also a few points of contention I had with it. The timing of events was difficult to follow, because there weren’t many indicators of how many days or weeks passed between events. There were also some events that really strained credibility, particularly regarding the way visions operated in the story. I won’t go too much into that though, as I’d prefer order to avoid spoilers. The way the book ended, it seems that there will certainly be a sequel, so the questions of credibility may be answered in the future. If there is a sequel forthcoming , I look forward to it.

So, to wrap this up, I highly recommend this book for sci-fi and space opera fans. It’s a strong addition to the genre, and I’m really excited to see where else the story may lead.

Now, the plug. If you liked this book review, you can see my others here:

New Book Review 1–New Book Review 2–New Book Review 3–New Book Review 4–

New Book Review 5–New Book Review 6–New Book Review 7– New Book Review 8

If you are a fan of fantasy, you can look into my own book, Tales of Cynings Volume I, in print format here or Kindle format here.